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Hello! Thanks for stopping by!
I'm Nick (he/him), also known by UpsideDownSmore or Smore, and I'm an artist in Saint Paul, MN, USA, specializing in vibrant digital illustrations for commercial commissions and fanart.
Bachelor of Arts (studio art major, computer science minor) - Macalester College (May 2025)
Warframe Creator (Dec 2023)
Third item
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Bluesky
My most active platform, and thus also my messiest/most casual. Fairly decent replacement for Twitter since I bailed on that hellsite a few years ago.
Tumblr
Similar story as Bluesky for me, but I tend to post less and browse more on Tumblr. It's got it's own fun format and culture I like but I don't spend a lot of time there.
Ko-fi
My platform of choice for casual commissions, merch, and tips! Check it out if you're interested in what's open and/or if you're looking to support me!
Inprnt
Where I sell prints of original works! Note, I don't offer fanart prints there due to most companies having fanmerch policies that prohibit automation, but it's a case by case basis. If it's not on my Inprnt, I may sell prints of it on my Ko- fi!
Newgrounds
Very old site yet also my newest platform, it's a cool place! For cool people! Shoutout Gianni Matragrano 🙂↕️🙂↕️🙂↕️
Twitch
I stream! Sometimes! It's infrequent but I tend to stream either art or Warframe, I might try streaming more often eventually but we'll see.I started in October 2025 to join Warframe's Quest to Conquer Cancer campaign, which led to a 1k+ (or 2k idr) viewer art stream for my scheduled slot. I later broke 2k+ viewers during a Warframe Prime Time raid in March 2026. Neither of these streams got uploaded anywhere because I forgot vods get autodeleted on Twitch after a while. Oooooops.
My first social media profile, so uh try not to scroll too far down lol. Largely kept just for IRL connections and events and such, but I otherwise despise the place.
ArtStation
Where I've hosted my art portfolio for a little bit. It's fine. But hopefully with enough time I can rely on my website instead!
Job connection stuff. You know what LinkedIn is. I've made some really interesting conversations and connections over there and it's worth it for potential career visibility while I'm desperately craving for it, but it's otherwise the biggest hellsite I'm on at the moment. Many such cases.
[🚧 WEBSITE TO-DO'S 🚧]
(in no particular order)
Finish filling Portfolio, Chronological, Hollowframe, and About sections with assets and text
Add alt text to all images, alongside more supplemental information (both in alt and caption text)
Third item
Add more personal/interests tabs like Photos and/or Playlists
Better optimize image elements and animations to improve site performance
Further customize text and other stylings (most stuff is still default)
Eventually begin development of Neocities site (big emphasis on Eventually)
Finish writing to-do list
Ko-fi commissions are: OPEN!
AND get 20% off all comms with the code SEPT2026 until 9/24!
https://ko-fi.com/upsidedownsmore/link/SEPT2026
For any general or commercial inquiries,
contact me at [email protected]
or on Discord: upsidedownsmore
Depending on the request, I may be available for work
even if Ko-fi commissions are closed!
For examples of prior commission work,
check out the Portfolio tab as well as the Ko-fi link above.
[In progress! Check out my ARTSTATION for more complete wips and captions/writeups.]
DIRECTORY
Commercial commissions:
The rest:
Warframe Community Atragraphs - Garuda and Ash Augments, May 2026
I've had the immense pleasure to have made four official illustrations of two protoframe characters in Warframe, Vena (proto-Garuda) and Ryoku (proto-Ash), to be used for four Atragraph augment mod customizations: Dread Ward, Blood Forge, Seeking Shuriken, and Smoke Shadow.
These Atragraphs launched in Warframe alongside the rest of Jade Shadows: Constellations on June 17th, 2026.
Ash (Ryoku) - Seeking Shuriken
Content Warning: timelapse video, flashing images.
Garuda (Vena) - Dread Ward
Content Warning: timelapse video, flashing images.
It has truly been an honor to be considered for this first instance of community-made Atragraphs, exploring a new format alongside brand new in-progress characters! This project has been a treat as someone with a huge interest in whatever small peeks into game development I can get.
This commission came at a very interesting time, starting in March within a few days of beginning a new day job that unfortunately took much more of my time and energy than I expected or wanted. This led to quite a crunch to finish this commission and plenty of elements I wish I had had more time and resources to devote to. But I learned a lot while drawing these characters and juggling multiple large responsibilities (both within the project and out), and I'm very happy with the extremely lovely feedback I've gotten throughout and after the process!
Thank you to Charly, Digital Extremes and the Warframe community for the incredible support, as always. <3
Gears for Breakfast Holiday Gift Box Commission, September 2025
After a chance meeting at TennoCon 2025, I was contracted to illustrate the art for custom boxes of holiday chocolates that would be shipped to the wonderful people at Gears for Breakfast (makers of A Hat in Time)!
This project mainly involved a large box illustration, as well as eleven custom vector icons to mold the chocolates into (alongside some pre-made holiday greetings) and a holiday card.
This was a remarkably different project than I had ever worked on before, with character designs, subject material, scenery, and context I was entirely new to. It was a struggle, but I learned an incredible amount through the process!
I had the pleasure of meeting Sara Holmes, the producer at Gears for Breakfast, at TennoCon 2025 dinner and at events since. I had known about A Hat in Time since my friends were obsessed with it in high school, so meeting someone behind it and subsequenting getting to make something for the studio, especially through a primarily Warframe and Soulframe event, was and still is absolutely crazy to me.
To prepare for the project, I played through A Hat in Time (and loooooooooooved it). Predictably, my favorite character ended up being The Snatcher, so much of our ideation included him in some way. The goal of the piece was to depict a cozy holiday environment with food, and I eventually landed on the idea of Snatcher working a kitchen alongside Hat Kid and Bow Kid, having been inspired by his iconic "KILL the chef" apron (which I first spotted in the summer 2023 event promo art). I also referenced the Gears for Breakfast logo for the gear-shaped egg, pancake, and pineapple slice flipping in the frying pan.
For the vector chocolate icons, I chose to use Inkscape. This was my first time using Inkscape, after having a bit of experience using Adobe Illustrator in school (and no longer holding a license lol), and it was definitely a different art process than what I'm used to. But I'm happy with the results!
Huge thank you to Sara Holmes for extending this opportunity to me and for being a great and gracious client! And thanks to Gears for Breakfast for making such a fun game, I'm glad you enjoyed your chocolates :)
Movember 2025 Glyph Commission, September 2025
Each November, Digital Extremes hosts a Movember event in Warframe in support of men's health in conjunction with the Movember Foundation. A main feature of this event is the option for players to wear a wide selection of mustaches on their warframes for the entire month.
Alongside this, Digital Extremes also commissions an artist to make a glyph (player profile picture) to be made available for free via temporary redeemable code (expiring the following December). I was lucky enough to be chosen to provide this 2025 Baruuk glyph, as well as a black and white version!
I wonder if there was any particular personal influencing factor that could have led to this.....
Warframe's captura mode was used extensively to get plenty of reference material, and I pushed myself to render and detail this portrait to the best of my abilities. While I wish I had put more work into concepting and workshopping the background earlier in the process, I'm still quite happy with how it's turned out! Thanks again to the wonderful folks at Digital Extremes!
Community Kullervo Glyph Commission, January 2024
December 2023, very soon after I was accepted into the Warframe Creator Program, Digital Extremes contacted me to draw a community Kullervo glyph for Warframe.
This made for quite a crazy winter for me; having just squeezed through a rough fall semester, having just been accepted into a creator program I had looked up to for years, and right as I was about to go on vacation with family to Mexico (where I did the majority of this illustration).
Years later I'm still very proud of this piece, and it's always interesting to look back on as my styles and processes change. As the first commercial commission I've had the pleasure of working on, this illustration holds a special place in my heart.
I was advised to use my experience with my Hollowframe project and to draw inspiration from the Radiance from Hollow Knight for the visuals of this piece, which led to a warm color palette and intense visuals. I also drew from many visual references from Warframe as guides.
It was released alongside four other amazing glyphs made by Ritens, CalamityDeath, Kirdy, and Studio Cyen in the Community Art Pack I on March 27th, 2024, purchasable with Warframe's premium currency Platinum. You can find an article written about each glyph -> here! <-
COMMISSIONS AND GIFTS
(non-commercial)
[🚧 UNDER CONSTRUCTION 🚧]

Nav and Ghastly Dagath (Warframe
fashions), Colored/Rendered (+addons)
sketch comm for Trashwitch, March 2026
Hildryn (Warframe fashion),
Colored/Rendered sketch comm
for Fangsie, May 2026
Abaddon (Warframe Harrow oc), WFCC
Secret Santa gift for Endquar, December 2025
"Minn, the Found" (Warframe Void
Angel oc), WFCC Secret Santa gift
for Pyrah, January 2025
Custom Nokko Hollowframe,
QTCC comm for Rylatar,
December 2025
Custom Fibonacci Hollowframe,
QTCC comm for Rylatar,
December 2025
Fennel (Root ttrpg oc),
Colored/Rendered sketch comm
for a friend, April 2026
Lucien (Monster Hunter oc),
Colored/Rendered sketch comm
for krispykiev, June 2026
Mesa (Warframe fashion),
QTCC Rendererd/Colored sketch
comm for Fangsie, November 2025
Frost (Warframe fashion), QTCC
Rendererd/Colored sketch comm
for FrostyNovaPrime, November 2025
FANART
(mostly Warframe)
[🚧 UNDER CONSTRUCTION 🚧]

BODY THE PISTOL - Warframe, June 2026

Waverider Pursuit - Warfame, May 2025

Tribute to Mynki - Warframe, November 2024

Sevagoth Prime Receiving a Message - Warframe, September 2024

Heirloom's Rage - Warframe, August 2025

UpsideDownSmore Warframe Creator Glyph, February 2026

INFERNO - Warframe, June 2026

MEGA MAN - The Protomen, July 2026

MOTE - Warframe, June 2026

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Starting mid-2021, Hollowframe has since expanded from a personal grid compendium into detailed scene illustrations, an evolving poster, and a even full card deck.
It has been a defining project in my growth as an artist, maybe even the defining project, and as such I believe deserves its own section to cover it from start to most recent.
Beginning: 2021 - 2022
[insert blurb about revealing on Twitter]
[insert blurb about reception and small group compositions]
Additions and Illustrations: 2022 - 2024
Spectrum Syndicate Discord stickers commission
Krita adoption, further additions
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2025
Freshly out of college, I had hoped to hit every day like I had in 2023 and 2021.
However, I had just come off the back of two large commercial commissions in September,
and struggled to keep from burning out. This in combination with a trip to see family and
efforts to livestream for the first time in order to participate in QTCC meant I had to cut myself short.
But I'm still happy with the results!
Content Warning: timelapse videos, flashing images.
2024
I aimed to do the same as the previous year and draw every day.
But I had to tap out halfway as I got busier with college art assignments,
and as I got more ambitious compared to 2023. Ah well, at least there's timelapses now!
Content Warning: timelapse videos, flashing images.
2023
Despite a busy fall semester, I committed to drawing every day.
I did not sleep much, but I learned a lot.

Day 1: Portal

Day 2: Fangs

Day 2: Fangs (alt)

Day 3: Decade

Day 4: Crystal

Day 5: Beetle

Day 6: Throwback

Day 7: Knives
Hollowframe Kullervo
Day 8: Whisper

Day 9: Man in the Wall

Day 10: Orowyrm

Day 11: Inspire

Day 11: Inspire
(alt sketch)
Day 12: Solidarity

Day 13: Courage

Day 13: Courage
(alt sketch)
Day 14: Rally

Day 15: Uplift

Day 16: Family

Day 17: Dedication

Day 18: Kaithe
Hollowframe Dagath
Day 19: Cave

Day 20: Spiral

Day 20: Spiral
(alt sketch)
Day 21: Assassin

Day 22: Bombastine

Day 23: Hunt

Day 24: Beard

Day 25: Hammer

Day 26: Mirror

Day 27: Crime

Day 28: Bat

Day 29: Crown

Day 30: Prison

Day 31: Faceless
2021
My first Tennotober, unlike every year since, was entirely traditional ink pens in my sketchbook.
It was also during the return to in-person classes after the Covid-19 lockdown, and also
during my increasing struggle with a fatigue I wouldn't recover from until August 2022.
While I struggled to get out of my room to class (resulting in needing to take a medical leave
until Fall 2022) I preoccupied myself with making a drawing for (nearly) every day.
I've come far and changed quite a lot since these ink drawings.

Day 1: Night

Day 2: Orbiter

Day 3: Crew

Day 4: Sister

Day 5: Plague

Day 6: Riven

Day 7: Orphix

Day 8: Storm

Day 9: Clan

Day 10: Natah

Day 11: Quest

Day 12: Persevere

Day 13: Support

Day 14: Goals

Day 15: Community

Day 16: Journey

Day 17: Conquer

Day 18: Tempestarii

Day 19: Fish

Day 20: Teshin

Day 21: Cephalon

Day 22: Ventkids

Day 23: Ghostly

Day 24 Melee + Day 25: Ballas

Day 26: Mining

Day 27: Star

Day 28: Glassmaker

Day 29: War

Day 30: Operator

Day 31: Naberus
Looking for more art that didn't make the portfolio cut? Head over to Chronological!
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About
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Nicholas Lobaugh (UpsideDownSmore, Smore, Nick, etc) is a digital illustrator, Warframe partner, and studio art and computer science undergraduate living in Saint Paul, Minnesota, USA.
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